FASCINATING book! I know you're very jealous. Every school teacher should have one.” --The different types of transitions between panels, e.g action-to-action, aspect-to-aspect, et cetera. -- Art Spiegelman, Maus, Breakdowns, "In one lucid, well-designed chapter after another, [McCloud] guides us through the elements of comics style, and... how words combine with pictures to work their singular magic.

it's one of the best examples i've found of someone writing so specifically about a topic that the observations and implications become absolutely universal. That goes on for about 20 pages.

While I find the concepts themselves fascinating, I found the book tedious. Understanding Comics is a misleading title, perhaps How to and why you should appreciate comics would suit the purpose of the book better. (real quote) Your email address will not be published. A brilliant must-read for any fan of comics, art, philosophy and beauty! But at least for me, I don't care if you came up with the entire concept or worked in a team as long as the outcome is insightful and fun. Understanding Comics Chapter 3.pdf - Google Docs ... Loading… -- Chicago Sun-Times, “Understanding Comics is spellbinding! I remember when this book came out in 1993. It gives the readers a different perspective to view comic books. He talks a lot about how the reader is complicit in the telling of a comic story, because so much happens between the panels -- in the gutter, where the reader has to invent what is going on to connect one image to another. With this book Scott McCloud has taken breathtaking leaps towards establishing a critical language that the comic art form can work with and build upon in the future. I was apprehensive at first since you really have to scrape to find a negative review of Understanding Comics. Then the next panel is the outside of a building, with only an "Aieeee!!" However, it seems to me like an excellent initiative, as it could be extremely useful for those who are just getting acquainted with the comics' universe or for those who want t 3.5★ rounded up with indulgence for its (possible) usefulness As I was reading other peoples reviews and discussions about this book I noticed that most people are intrigued with the idea that the simpler the character on the page is, the easier it is for the reader to identify with the character.

I'm supremely motivated because I'll be giving a talk to a SIG-CHI audience in a few months on the UX of comics storytelling - so I'm trying very hard to pull all of this together and think beyond McCloud to my own perspectives on the medium. Even if you're not a comic fan at all, this book will leave you with a better appreciation of art and how we use it to know we're not alone. This is an indispensable and fundamentally exhaustive exploration of the comics medium presented in the medium itself. And yet one still reeling from the self-induced pressure to keep all of McCloud's ideas and arguments in my head. Understanding Comics is a pretty clever book, using the medium of comics to talk seriously about comics -- which is very likely to be dismissed by those who either insist comics should all be fun (and therefore if they're not interested in this, it's no good) or all comics are fun (and therefore have no serious value).

If you read them for escapism and entertainment, parts of Understanding Comics will feel like someone reading you the nutritional information of your food while you're eating it. A non-fiction comic book. think about it: hamlet is completely consumed in his little world, and the stakes are all about what will happen to denmark and only denmark. The Complete Black and White Collection. 'Understanding comics is serious business' - why is it serious?

This is our inaugural book and I'm so excited!!! issues of time, motion, panel sequence, reader perception, artistic style etc. but then I'd heard it was brilliant for so long from so many people that I gave it a shot. Now when I see a comic page and take a look at the composition of the panels I know when the story demands of me to go faster or slower and I am grateful for this new found knowledge. I am glad he referenced all his work, especially when talking about other artists and how they write comics. Instead of thinking about comics as a lowbrow medium, it is about time we experience the art and what it can tell us. but on the whole i was not thrilled with mccloud's own exposition and analysis of those topics. Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. I highly recommend for everyone, even if you've never thought about picking up a graphic novel. -- L. A. Not only that, it shows Scott McCloud's skill as a writer and artist that he took a subject that could have been drier than a desert and made it fun and interesting. Most people could probably get through it in a couple of hours. As some other reviewers have noted, the technology has advanced since McCloud wrote this in the early 90's (particularly, I'm guessing, when it comes to color), but the ideas are still contemporary. Required fields are marked *, La ricerca sul campo in educazione. “With Scott McCloud’s Understanding Comics the dialogue on and about what comics are and, more importantly, what comics can be has begun. I was like, 'how could he possible have two hundred and fourteen pages of things to say about comics?' "Don't gimme that comic book talk, Barney!" i simply don't agree with a lot of the conclusions he draws. 3.5★ rounded up with indulgence for its (possible) usefulness I'll read this and use it to help people understand comics every year. I'm starting a graphic novel book club!!

Scott McCloud has unnecessarily overcomplicated a lot of things, and at times it even feels like a chore to read. PDF Understanding and Using Statistics for Criminology and Criminal Justice Full Ebooks Free Ebooks comics. I hadn't heard of this before I started the Coursera course I'm doing on comics, but I don't need any prompting to take it seriously. But holy hell, I could probably just deliver the high points of his treatise here and still come off like a cerebral expert on comics. Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural The bestselling international classic on storytelling and visual communication It's amateurish, but I believe if you're aware of how great a book is while you're reading it, it's not working at its best. When trying to review a comic or graphic novel, I find it easy to talk about plot but talking about the art is difficult. Anyway [see my point, how much extra describing I have to do just to get to what he does with like two pictures? Its employment of comic art as its vehicle is brilliant. Times, “BRAVO!! It also provides a reader with no aspirations to create with a deep and rich understanding of the medium and its importance in the world of art and literature. As some other reviewers have noted, the technology has advanced since McCloud wrote this in the early 90's (particularly, I'm guessing, when it comes to color), but the ideas are still cont As you may gather from the title, this is less a history of comics (although there is some of that) and more a thesis statement about what they are and how they work. I picked up Understanding Comics because there is so much to learn and I wanted a better grasp on the art form. We are subjected to arbitrary education, test and criticism that are meant to 'guide' our 'understanding' of the creator's concept and execution - how to read them, how to properly experience them, how to get the most of it like the artist 'wants' us to. Scott McCloud's love and understanding of comics is beautifully and simply expressed here. A highlight for me was found in chapter two where Scott McCloud explored the vocabulary of comics. -- Warren Ellis, “...a rare and exciting work that ingeniously uses comics to examine the medium itself.” Everyone should read this elegant classic (and its two sequels), just for some basic 20th - 21st century cultural literacy. it's a good read for comics lovers. Absolutely great. And then you'll get it for yourself. -- Jim Lee, “[Understanding Comics] might well turn out to be the rosetta stone, the secret decoder ring, the lyrics sheet, for pete’s sake, to all that has gone on in comics art. It starts off trying to define what a comic is, which I quickly realised was an impossible feat. what a great idea! This book is one of the classics of comic history, one of its great books for helping you understand and appreciate comics for their potential complexity as an hybrid art form, without question. Cassidy Jones and the Secret Formula (Cassidy Jones Adventures, #1) book, Cassidy Jones and the Secret Formula (Cassidy Jones Adventures, #1) pdf Understanding Comics: The Invisible Art full book free, Understanding Comics: The Invisible Art ipad iphone android download Now You See Her for pc, Now You See Her read book online Whether you’re in the business or on the sidelines, this book will charge your batteries. While it presents some fairly complex ideas of "how comics work" McCloud uses the medium itself to good effect to demonstrate his meaning. a comic book about comics! If a book/work can be interesting and boring at the same time, than this was it! Then why should it be readable, straightforward and commercial like everything else? It's informative and eye opening, but not particularly relevant, like every single other art theory textbook.

That said, there are parts which are a little convoluted (Chapter 2, I'm looking at you), and there are parts that are a little dated by now (such as the chapter on color, which I think has come a long way since the early '90s, particularly due to the use of computers). And it is art, it might not be as highbrow as artists like Vincent van Gogh, Claude Monet or my personal favourite Michelangelo Merisi da Carav I have been getting into comics lately and I am quickly discovering there is so much about this medium that I do not know. When the 215-page journey is finally over, most readers will find it difficult to look at comics in quite the same way ever again." The overall art and style employed by McCloud just wasn't compelling to me. More than just a scholarly analysis of the art form, it points the way to possibilities, giving inspiration to those wishing to explore the wonderful continent of sequential art.”

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