Official website for Lianne La Havas. The album's opening song "Bittersweet" is a soul song that features piano chords and subtle guitar lines. [4] She described the album's process as being "driven by emotion" and at the time being the closest she had gotten to "pure" artistic expression. "[6] The relationship and its break-up became the main theme of the album's lyrical content, which follows a journey of three vignettes. Recording of the album took place between October 2019 and December 2019, with sessions taking place in London, Bath and New York. "[11] Andy Kellman made a similar comparison in the review for AllMusic, claiming that "La Havas' lithe voice forms a tighter bond with the lyrics, and her gently ringing guitar rarely leaves her hands.

So you think, Well, let me do a little bit of work and just see if we can get that feeling back—it's possible because we do really love each other. I think I've got to calm down a little bit. Buy the new album ‘Lianne La Havas’.

The homemade video featured La Havas accompanied by her string guitar whilst performing "Bittersweet" and "Paper Thin".[21]. Recording of the album was not initially planned. [4] La Havas did not know what direction the album would initially take and "tapped into the best and worst parts" to help inform it.
[24] Aggregator AnyDecentMusic? Did you know you can watch new Tiny Desk Concerts on npr.org ONE WEEK before they go up on YouTube?

Neil McCormick from the The Daily Telegraph called the album a "jazzy, soulful, understated account of breakup and recovery, that shimmers like a gorgeous summer groove and lets La Havas’s tender singing and cryptic lyrics carry the bittersweet emotion. A flower has to dry up and die in order to be reborn.

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 83, based on 19 reviews.

La Havas' version features a stripped-down production containing soulful and key-heavy tones. [15], "Can't Fight" features the use of the guitar and lyrically discusses wanting something that is not right for you. In early May, La Havas performed from home at "NPR's "Tiny Desk (Home) Concert" series. Watch Lianne LaHavas play at the Tiny Desk. But at the same time my mother was listening to a lot of '80s and '90s Michael Jackson, and Mary J Blige, who I loved from a very early age.

The digital version of the album contains two additional tracks; "Bittersweet" (Full Length) and "Out of Your Mind" (interlude). gave it 8.0 out of 10, based on their assessment of the critical consensus. But at the same time my mother was listening to a lot of '80s and '90s Michael Jackson, and Mary J Blige, who I loved from a very early age.

30. hét", "Swisscharts.com – Lianne La Havas – Lianne La Havas", https://en.wikipedia.org/w/index.php?title=Lianne_La_Havas_(album)&oldid=986647901, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License. Lianne La Havas is the self-titled third studio album by English singer Lianne La Havas.The album was released on 17 July 2020. musicOMH writer Chloe Johnson described the album as "truly captivating" saying "every song is an earworm, and Lianne La Havas’ third album is haunting in the way only inspiring music can claim to be; a beautiful ghost to soundtrack your life to. Plus India Arie, Jill Scott and The Fugees”.\r\rLianne’s biggest hits include “Green and Gold”, “Unstoppable”, “Gone”, as well as an incredible cover of Dionne Warwick's “I Say a Little Prayer”, and a show stopping Tiny Desk performance for NPR Music.

"Soul Flower" is a seven-minute song that features folk and art-rock influences and was noted by Michael Cragg from The Observer as "recalls Rainbows-era Radiohead". La Havas wanted the album to follow the journey of a seasonal flower, one that "blooms, thrives, goes away, and comes back even stronger. Where debut ‘Is Your Love Big Enough’ at times felt forcibly upbeat, these new songs are languid and spacious, roaming from song to song in a way that suits their creator's natural approach to storytelling. In late February La Havas sang at the Barbican in London alongside the BBC Symphony Orchestra and Jules Buckley.

The album adopted a more cohesive composition than its predecessors. [4], The album's process took La Havas five years, something she had not planned for, stating "to make a complete piece of work that meant something that had a story just took a little bit of time". The album was supported by the release of two singles. The album is a predominatly neo-soul album, however Sophia Ordaz of Slant Magazine states "La Havas’s style remains tricky to pin down, existing somewhere in the nexus of the soulful warmth of Corinne Bailey Rae, the confessional lyricism of Amy Winehouse, and the folky melodicism of Joni Mitchell.

[2] She took time off from her recording career to enter a new relationship and later deal with the break-up, although she continued to tour in the period between albums. [13] The song does not sit within the three vignette's but was described by La Havas as an "overview" of the album's themes.

"[10] "Paper Thin" features a "soothing" and strumming guitar. [3]

[1] Released after a five-year hiatus and written following La Havas' break-up, the album was inspired by the life cycle of nature and its ability to thrive, go away, and come back stronger.

Her catalogue also includes the albums “Blood” and “Is Your Love Big Enough”Subscribe to the Lianne La Havas channel for all the best and latest official music videos, behind the scenes and live performances.Can't Fight lyrics It seems that I won't be warnedAnd certainly, I saw a signI raged like a woman scornedBut something about you got me goneYou're pulling me back and now I'm going underA little peace, a little loveA little bit, is that enough?I can't fight away this loveI knew that I should give you upI tried to run but got my heart stuckI can't fight away this loveCan't fight away this loveThe things that I want and needBut they always seem to be at odds with meOh, why?When did Heaven get this heavy?Everything's right until it's wrongBut something about you feels like homeOh, baby, you know that you got me goneYou're pulling me back and now I'm going under, oh#LianneLaHavas #CantFight #OfficialVideo [3] The first describes the early and joyous period a new relationship, the second focuses on the demise of the relationship whilst the third revolves around the enjoyment and loneliness of being independent.[3]. [14] From "Bittersweet" onward, the album follows the arc of a relationship headed for disaster.

[12]
[9] "Can't Fight" was inspired by R&B from La Havas' childhood.

[7][8] [19], To promote the album La Havas' did multiple live performances. "[25], Rachel Aroesti from Q was more critical and believed "there's a wobbly quality to La Havas's toplines that means they can get lost in the more densely instrumented tracks, yet the sparser finger-picked guitar numbers give her songwriting space to shine."[28]. Lianna La Havas received widespread acclaim from critics. "[18], Other reviews recognized that the album's lyrical exploration. The albums musical style was inspired by Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny's Child, resulting in a predominately neo soul album with elements of jazz and folk. "Bittersweet (full length)" is not included on the vinyl version, "Out of Your Mind (interlude)" is included but not listed on the outer jacket or inner labels. And there are things that you're learning along the way. [17], "Seven Times" incorporates elements of Spanish flamenco and jazz and drew comparisons to Lauryn Hill. [3] The song was later recorded at Homer Steinweiss' New York studio, the songs minimalist production inspired La Havas and informed the sound and style of the album.

The song lyrically describes La Havas' being smitten with new love. La Havas wanted a greater artistic input for the album and wanted to be in control of the album's style and direction.

The vinyl version of the album was released in two formats; a standard version and an exclusive clear version.

"[26] Slant Magazine writer Sophia Ordaz believed "the album instantly feels more purposeful than its predecessor: Where Blood can feel labored over, perhaps too hungry for hits, Lianne La Havas isn’t seemingly beholden to such expectations. [7] The recording sessions took place in London, Bath and New York. [3]

404.1k Followers, 1,160 Following, 498 Posts - See Instagram photos and videos from Lianne (@liannelahavas) [10], — Sophia Ordaz of Slant Magazine, discussing the album's musical[11], The album's digital version features twelve tracks, whilst the album's physical version features ten. [3] The relationships demise would go on to inspire La Havas to begin work on the follow up to Blood. The standard edition was released on CD, vinyl, digital download and streaming. The album was released on 17 July 2020. "[12] Michael Cragg from The Observer summarised the album saying "While there are still nods to the polite dinner-party soundtrack feel of her early work – the string-drenched Courage, for example – this is a much bolder statement of intent. "[3] The album's writing sessions happened sporadically over a ten-month period. The album's production was handled by La Havas along with long-term collaborator Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa. Lianne La Havas is a concept album with a song cycle that depicts the stages of a relationship, from early romance to demise. It’s got to be my band, and I’ve got to do it in London, whenever people have time. Following the release of La Havas' second studio album Blood (2015), Havas was not satisfied with the album and felt it did not express or represent her at the time.

Jenessa Williams of the NME notes that Liana La Havas is "focused around a primary nucleus of intimate vocals, nimble guitar-work and driving percussion. It's so easy to say, but it's so much more complicated than that.

But without a doubt, La Havas makes soul music insofar as it originates from the soul.

"Bittersweet" contains a sample of "Medley: "Ike's Rap III" / "Your Love Is So Doggone Good" performed by, "Weird Fishes" is a cover version of "Weird Fishes" (2007) performed by, This page was last edited on 2 November 2020, at 04:14. [18], The album was released on 17 July 2020, by Warner Records, La Havas' third to be released under the label. During the production of the song La Havas and Masa were listening to Vulfpeck, which inspired the song's soulful production. The album's production was handled by long-term collaborator Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa. The album was written after La Havas' breakup from her partner, with La Havas stating, "I can't write when I'm in the thick of it. [7] La Havas enjoyed the session and wanted her third album to be recorded in a similar way: I had the most wonderful, nourishing experience recording that, and that’s where I decided: the rest of the album needs to be like this. [7], By October 2019, La Havas had written all ten tracks and by December the album's recording had been completed.

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